Chris Ramos immersed himself in furniture making as an early student of the Vermont Woodworking School, studying under the prolific Bob Fletcher and other prominent Vermont craftspeople. Now working out of the Shelburne Craft School, Chris and his partner, Ryan Cocina design and build custom residential and commercial furnishings under the brand, Seral Designs. He returns regularly to VWS to teach introductory woodworking and is a resident instructor at the Shelburne Craft School. Chris is honored to share his method through community education, and his vision through his labor. SeralDesigns.com
For over a decade CLARK DERBES has salvaged large hardwood trunks from arborists in the area surrounding his studio and carved these trunks with his chainsaw, honing them into raw shapes and meticulously painting them with a variety of complex visual systems, patterns and patina processes to make dimensional sculpture in a variety of sizes. He uses new distributions of light and color to playfully shift space and undermine habitual viewing systems, asking viewers to question their perceptions and remain constant as the the separation between the public and the personal is dissolved by the joy of color and the delight of the unexpected.
Clark Derbes also makes paintings, works on paper and large public installations. He was born in New Orleans, LA in 1978 and raised in Baton Rouge where he remains closely tied to the community and where several of his large scale commissioned projects can be seen. He also makes large ‘self-commissioned’ public works designed to keep fluid the dialogue between free art and the material culture found in museums and other institutions. Derbes earned a BFA at Louisiana State University and exhibits extensively throughout the US. He has made his home in Vermont since 2002.
FRANCES CANNON is a writer and artist of hybrid mediums, and is the author and illustrator of the graphic memoir, The Highs and Lows of Shapeshift Ma and Big-Little Frank, through Gold Wake Press. She has an MFA from the Iowa Writers Workshop in nonfiction writing, and a BFA from the University of Vermont. She has a book of poems and illustrations, Tropicalia, through Vagabond Press, and a book of poems and prints, Uranian Fruit, through Honeybee Press. She has a book of graphic literary criticism forthcoming with MIT Press. She has also contributed to Vice, McSweeney's Quarterly, The Believer, The Lucky Peach, and The Iowa Review. You can find more of her work at frankyfrancescannon.com
Joel Popadics is one of the nation’s top watercolorists. He is an advocate of watercolor and has dedicated his career to the advancement and appreciation of the medium. He is Vice-President of the prestigious American Watercolor Society (AWS) in New York City and a Past-President of the New Jersey Water Color Society.
Joel has been teaching aspiring artists, young and old, to reach their artistic potential through his watercolor classes and workshops across the country. His peaceful landscapes beautify homes, corporations and public spaces throughout the United States.
He has been featured many times in AMERICAN ARTIST, THE ARTIST'S MAGAZINE, WATERCOLOR ARTIST, and WATERCOLOR MAGIC MAGAZINES. He received a BFA from the School of Visual Arts in New York. He is represented in some of the finest galleries in the Northeast. He resides in Wayne, NJ with his wife Patricia and their two sons.
Kristen Maniscalco received her BFA with honors in art and art education from Michigan State University. She has a professional certification in K-12 education and has taught 6-12 grade art for the last ten years, also working as an adjunct instructor at Lake Michigan College for the last four years, teaching art education and ceramics classes in the evenings. She moved to Vermont last summer to apprentice on an organic farm and learn more about agricultural sustainability. Kristen is passionate about art, the environment, and teaching in hopes of inspiring others to pursue their passions.
Misoo uses “vulnerability” as a theme revealed through her emotional self-portraits, narrative fantasy, and abstract images. Exploiting her paints ability to be both fluid and to congeal in her technique, her large paintings explore feelings of fear in reaction to abuse, abandonment and neglect. In-between her painted layers and intricate mark making, Misoo weaves her stories of innocence lost together using threads from of her childhood nightmares, news headlines that scream tales of abuse and rape, her fear for her vulnerable young daughter, and the desire to escape into fairytale and fantasy.
Misoo graduated with her Master of Fine Arts degree with a concentration on painting from Florida Atlantic University in the spring of 2014. Misoo has exhibited in shows at Scope, The Art Place Wynwood in Miami, Cultural Council of Palm Beach County in Lake Worth, Boca Raton Museum of Art, The Gallery at Art House Delray, Las Laguna Gallery in California, Fresh Paint 7 in Tel Aviv, Israel, University of Texas-Rio Grande Valley in Texas, solo exhibitions at Durham Arts Council in North Carolina, Bailey Contemporary Arts in Pompono Beach, and Living Learning Center Gallery of University of Vermont. In 2018, she will be in the upcoming solo exhibition at Palm Beach State College in Florida and Champlain College in Vermont. Her work has been reviewed in Boca Raton Magazine, Palm Beach Arts Paper, Sun Sentinel, The Palm Beach Post, The Chronicle: The Independent Daily at Duke University, Seven Days, and INDA 11.
Misoo Filan currently lives and works in Shelburne, Vermont and can be reached at email@example.com
Neil on his work:
The work I most admire is blatantly in love with nature. When I see Egon Schiele drawings I think, what else is there to do but draw people (or houses, chairs) with such devastating passion and intelligence?
When I get tired of working in the sky-trees-fields landscape style I think of Charles Burchfield. His openness and ecstasy before nature is humbling. Obviously all I can do is pursue my own awe. Wyeth said one’s work goes as deep and as far as one’s love. I believe that.
Rik joined the Shelburne Craft School community in 2004, studying with Loreta Lanquet and Hoyt Berringer. In 2006, he started teaching kids clay classes at Burlington City Arts and became a studio assistant at the Shelburne Craft School. He is now the Craft School’s ceramics studio manager, teaches kids clay on the wheel, adult classes and is the community outreach instructor. He manages the open-studio schedule, studio monitors, kiln fires, and oversees equipment maintenance and supply ordering.
Born and raised in Buffalo, NY, Ryan has been a resident woodworker at the Shelburne Craft School since 2011. Ryan received his BA from SUNY Geneseo and a Masters of Education from Johnson State College. Ryan studied furniture-making at the Vermont Woodworking school as an apprentice under Bob Fletcher. Ryan manages the wood shop, adult woodworking classes, youth woodworking classes, and open studio nights.
Sage Tucker-Ketcham grew up in Vermont, Toronto, London, and the Washington DC area. Her adult life has been spent in Northern Vermont, Cape Cod and Maine. Tucker-Ketcham graduated with her BFA in Painting from Maine College of Art in 2003, and received her MFA from Massachusetts College of Art and Design 2008. Sage has shown her paintings in gallery’s, museums, and colleges. Her paintings are widely collected and in several national and international collections. Sages work is currently represented by Edgewater Gallery in Middlebury VT. Sage resides in Burlington, Vermont with her husband, son and two cats.